Music To Eat

An Eclectic Gastronomy of Sound

Cabinet of Obscurities: Missy Roback’s “Just Like Breathing”

cabinetofobscurities

An occasional feature showcasing music by little-known artists who (generally) only put out one or two albums.

breathing

Just Like Breathing, from 2002, is the only album author and singer/songwriter Missy Roback has released so far. That’s quite a while ago at this point, though she did contribute a song to a 2012 tribute to the Reducers, an influential band from her home state of Connecticut. I’m not sure why another album hasn’t been forthcoming, as Just Like Breathing was very well received in the press, and the track “Compass” was used in then-hot TV show Felicity. Most importantly, though, it’s a strong collection of songs which still stands up well.

The name “Roback” will ring a bell with any acquainted with 80s psychedelic/jangle-pop band the Rain Parade, as Roback’s husband Steven Roback co-fronted that group. He produced this album and plays many of the instruments as well.

In reviews of Breathing, Missy Roback’s voice was often compared to Aimee Mann’s and Mazzy Star’s Hope Sandoval. I hear the Mann connection, but the Sandoval one is less apparent to my ears; it’s a handy comparison however, being that another Roback (David, brother of Steven) is the founder of Mazzy Star. There’s a toughness, but also a vulnerability in the way Roback delivers lines like “Babe, the snow fell today…” (“Compass”) or “Remember the times, remember the days / I wish on a star you loved me that way” (“Nearest Star”).

The music on Just Like Breathing falls on the high end of the introspective folk/pop meter, with Roback’s guitar (plus additional electric guitar provided by Leigh Gregory) adding a gauzy, fuzzy sheen to some tracks, like a low tidal roar or the sound of glacial ice shifting.

Song subject matter generally isn’t light and breezy; there are a fair amount of songs about break-ups, regret and making sense of the past, but the occasional darkness is leavened by the inherent melodiousness of the music and skilled wordplay. Not that there’s anything wrong with sad songs, especially when they’re done this well (wasn’t it Elton John who sang “Sad Songs Say So Much”? I never did like that song…)

The ambient dream-pop “Sleep with the Mermaid” closes Just Like Breathing, offering a feeling of resolution and the lines (directed at the listener?) “Wishing you the love we feel tonight / I hope you find the one you lost tonight”.

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6 comments on “Cabinet of Obscurities: Missy Roback’s “Just Like Breathing”

  1. Albert Binder
    March 9, 2016

    Nice voice. I like the relaxing ambiance that permeates her music.

  2. yeahanotherblogger
    March 16, 2016

    Somewhere in the foggy past I’ve read about Missy before. I’m glad you wrote this article. The music world is full of obscure musicians, many of whom are/were really good. Such as Missy.

  3. Rob
    March 16, 2016

    Indeed! And without the Internet, a lot of them would be lost to the winds of time….

  4. Steven Roback
    September 29, 2016

    Agreed, she has an awesome voice and is an awesome songwriter. worth repeated listens.

    • Rob
      September 29, 2016

      Great guitar work on the album, too, Steven!

  5. Steven Roback
    September 29, 2016

    love it!

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This entry was posted on March 5, 2016 by in Cabinet of Obscurities, Reading lounge and tagged , , , , , .

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